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BLUES LEGEND CORKY SIEGEL APPEARS ON NATIONAL PUBLIC RADIO'S WEEKEND EDITION
12/16/2005
Multi-instrumentalist/vocalist/composer Corky Siegel visited with National Public Radio’s Scott Simon on “Weekend Edition” on Saturday, December 17, 2005.

BLUES LEGEND CORKY SIEGEL APPEARS ON NATIONAL PUBLIC RADIO'S WEEKEND EDITION

BLUES LEGEND CORKY SIEGEL APPEARS ON NATIONAL PUBLIC RADIO'S WEEKEND EDITION

Multi-instrumentalist/vocalist/composer Corky Siegel visits with National Public Radio’s Scott Simon on “Weekend Edition” on Saturday, December 17. Siegel talks about his two 2005 Alligator Records releases: “Corky Siegel’s Traveling Chamber Blues Show” and the Siegel Schwall Band’s “Flash Forward” (which was included in the “Chicago Tribune’s” Top Ten Blues Albums of 2005 and was nominated for a 2006 Blues Music Award), as well as his inclusion in the recent Chicago Blues Reunion CD/DVD. He will also perform a song solo with harmonica.

 

Corky Siegel has been bringing his critically acclaimed, blues-influenced music to worldwide audiences for four decades. His early years in Chicago’s toughest South Side blues clubs with the Siegel-Schwall Blues Band, his solo performances, his groundbreaking blues-classical collaborations with conductor Seiji Ozawa and composer William Russo and his introduction of Chamber Blues (an irresistible combination of classical and blues music), are all a reflection of Siegel’s wide-ranging talent.

 

 

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NINE ALLIGATOR ARTISTS RECEIVE 17 BLUES MUSIC AWARD NOMINATIONS
12/14/2005
The Blues Foundation today announced the nominees for the 2006 Blues Music Awards. Nine Alligator recording artists received a total of 17 nominations.

NINE ALLIGATOR ARTISTS RECEIVE 17 BLUES MUSIC AWARD NOMINATIONS

NINE ALLIGATOR ARTISTS RECEIVE 17 BLUES MUSIC AWARD NOMINATIONS

NINE ALLIGATOR ARTISTS RECEIVE 17 BLUES MUSIC AWARD NOMINATIONS!

 

The Blues Foundation today announced the nominees for the 2006 Blues Music Awards. Nine Alligator recording artists received a total of 17 nominations. Austin-based singer/songwriter/pianist Marcia Ball (who was recently nominated for a Grammy© Award) led the pack, receiving four nominations. Singing sensation Shemekia Copeland followed with three nominations. Little Charlie and the Nightcats received one, with Rick Estrin and Little Charlie Baty each receiving an individual nod. Likewise, the Holmes Brothers received one, with drummer Popsy Dixon receiving an individual nomination. Carey Bell, The Siegel-Schwall Band, Mavis Staples, Ann Rabson (of Saffire-The Uppity Blues Women) and Koko Taylor each received one nomination. The Blues Music Awards (formally known as the W.C. Handy Awards ceremony and concert will be held May 11, 2006 at the Cook Convention Center in downtown Memphis. For a full list of the nominees, go to  http://www.blues.org/about/news.php4?Id=221.

 

Alligator artists and nominations are as follows:

 

 

MARCIA BALL

B.B. King Entertainer of the Year

Contemporary Blues Album Of The Year - "Live! Down The Road"

Contemporary Female Blues Artist of the Year

Pinetop Perkins Piano Player of the Year

 

 

SHEMEKIA COPELAND

Contemporary Blues Album Of The Year - "The Soul Truth"

Contemporary Female Blues Artist of the Year

Song Of The Year – “Who Stole My Radio?” written by John Hahn and Joe Hudson, performed by Shemekia Copeland, “The Soul Truth”

 

 

LITTLE CHARLIE AND THE NIGHTCATS

Band of the Year

Instrumentalist – Guitar (Little Charlie Baty)

Instrumentalist – Harmonica (Rick Estrin)

 

 

HOLMES BROTHERS

Band of the Year

Instrumentalist – Drums (Popsy Dixon)

 

 

KOKO TAYLOR

Traditional Female Blues Artist of the Year

 

 

MAVIS STAPLES

Soul Blues Female Artist of the Year

 

 

SIEGEL SCHWALL BAND

Comeback Album of the Year – “Flash Forward”

 

 

CAREY BELL

Instrumentalist - Harmonica

 

 

ANN RABSON (of SAFFIRE-THE UPPITY BLUES WOMEN)

Traditional Blues Female Artist of the Year

 

 

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PIANIST/VOCALIST/SONGWRITER MARCIA BALL RECEIVES GRAMMY© AWARD NOMINATION!
12/8/2005
Alligator Records is proud to announce that Marcia Ball received a Grammy© Award nomination for her 2005 release, LIVE! DOWN THE ROAD, in the Best Traditional Blues Album category.

PIANIST/VOCALIST/SONGWRITER MARCIA BALL RECEIVES GRAMMY© AWARD NOMINATION!

PIANIST/VOCALIST/SONGWRITER MARCIA BALL RECEIVES GRAMMY© AWARD NOMINATION!

Alligator Records is proud to announce that Marcia Ball received a Grammy© Award nomination for her 2005 release, LIVE! DOWN THE ROAD, in the Best Traditional Blues Album category.

 

The Washington Post calls the CD “the best showcase yet for Ball’s ability to rattle the ivories.” The New York Press describes Marcia as “a triple threat: an incisive writer who plays the meanest barrelhouse piano this side of Professor Longhair, then completes the package with a voice brewed in swamp water, sweet and potent. Onstage she’s one of the rare performers who seem to be having as much fun as we are.”

 

The 48th Annual Grammy© Awards Ceremony will be held at the Staples Center in Los Angeles on February 8, 2006.

 

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ALLIGATOR RECORDS SIGNS LEE ROCKER! NEW CD DUE IN JANUARY 2006
11/18/2005
Alligator Records is proud to announce the signing of bassist/vocalist/songwriter (and Stray Cat) Lee Rocker. His roots-rocking Alligator debut, “Racin’ The Devil,” will be released on January 31, 2006, followed by a major national tour.

ALLIGATOR RECORDS SIGNS LEE ROCKER! NEW CD DUE IN JANUARY 2006

ALLIGATOR RECORDS SIGNS LEE ROCKER!  NEW CD DUE IN JANUARY 2006

ALLIGATOR RECORDS SIGNS LEE ROCKER!

NEW CD DUE IN JANUARY 2006

 

Alligator Records is proud to announce the signing of bassist/vocalist/songwriter (and ex-Stray Cat) Lee Rocker. His roots-rocking Alligator debut, “Racin’ The Devil,” will be released on January 31, 2006, followed by a major national tour. Rocker, with The Stray Cats, helped reintroduce rockabilly to a mass audience. Now he’s igniting the roots music fire. The new CD is a solid slice of Americana, filled with powerful, original songs and amazing musicianship. And when the band performs live, they leave audiences begging for more.

 

According to Alligator Records president Bruce Iglauer, the signing is a perfect fit and an excellent direction for the label. “Alligator has devoted itself to deeply rooted, unpretentious American music that tells down to earth, emotional stories of real life. “Racin’ The Devil” is full of terrific songwriting, great playing and super-energized performances. Anyone who loves raw, rocking music, be it blues, rockabilly, or straight ahead rock 'n' roll has got to love this album.

 

And Rocker couldn’t agree more. “For me, getting to work with Alligator Records is just fantastic. Alligator has always been THE label for honest, real, American music. It’s a natural fit. I’ve always been a renegade with my music, from The Stray Cats to my solo records, I’ve always done my own thing, and so has Alligator.”

 

“The Chicago Tribune” describes Rocker’s playing as “muscular and passionate.” “The Washington Post” says his music consists of “impressive, catchy, driving original songs, frantic romps, finger-snapping swing and brooding slow blues.” “Rolling Stone” declares, “Lee Rocker's singing naturally captures the spirit of rock 'n' roll. His catchy, well-written songs are very difficult to get out of your head.”

 

With musical muscle from his road-tested band (guitarists Brophy Dale and Buzz Campbell, and drummer Jimmy Sage) “Racin’ The Devil” is Rocker’s most diverse album yet, and a roots music fan’s dream come true. The CD features twelve songs of scorching rockabilly, roadhouse romps and straight-ahead, old-school rock ‘n’ roll, highlighted by nine originals that are by far the strongest of his career. And his reinventions of The Stray Cats mega-hit “Rock This Town” and his first post-Cats band Phantom, Rocker & Slick’s “Running From The Hounds” are foot-stomping and ecstatic statements of pure joy.

 

“This is the best record I’ve ever made,” says Rocker. “I worked harder on this record than any other I have done. I took my time with it and squeezed and twisted all I could out of the band and myself. There were days of wanting to give up and quit and other days I left the studio as happy as a kid. Now that I can sit back and just listen, I can say this is the record I’ve always wanted to make.”

 

Born Leon Drucker in Massapequa, Long Island in 1961, to world-renowned classical musician parents, Rocker grew up with music all around him. His father, Stanley, is a Grammy-nominated clarinetist with the New York Philharmonic. His mother, Naomi, teaches music at Hofstra University. So coming to a career in music was an easy choice for Rocker, whose family listened to jazz, blues, and rock while he was growing up.

 

Rocker began taking classical cello lessons at age eight, and initially hated them, but ultimately grew to enjoy playing. As his ears widened into rock ‘n’ roll, he picked up the electric bass, and quickly mastered the instrument. During grade school, his close friends included Jimmy McDonnell (later to become Slim Jim Phantom) and Brian Setzer. The three jammed together often, playing a wide variety of rock ‘n’ roll, before discovering classic blues musicians like Muddy Waters and rockabilly giants like Carl Perkins. Rocker picked up the acoustic bass to emulate the sounds he heard on those records, and the band began playing more and more roots music. By 1979, this trio, now known as The Stray Cats, began to single-handedly revive rockabilly music in the U.S. and, eventually, around the world.

 

Adding a contemporary punk attitude to traditional slap-bass, twangy guitar and drums, The Stray Cats headlined famous New York haunts like CBGB’s and Max’s Kansas City, drawing overflow crowds every time they played. They moved to London in 1980 and became an even bigger success, even attracting The Rolling Stones to their shows. The fever-pitch excitement caused a major bidding war between record labels. The group’s first American album, 1982’s “Built For Speed,” became a huge hit, and held the #2 spot on the “Billboard” chart for 26 weeks, right behind Michael Jackson’s “Thriller.”

 

Non-stop touring took its toll on the band. By 1984 the group was exhausted and decided to call it quits, at least for a while. But the furious touring of the early 1980s turned Rocker into one of the best showmen working in any genre, which left his career options wide open. According to the “Orange County Weekly,” “there has never been a rock & roll bass player more fun to watch in concert than Lee Rocker.”

 

In 1985 Rocker and Phantom hooked up with ex-David Bowie guitarist Earl Slick to form Phantom, Rocker & Slick. They had a minor hit with “Men Without Shame.” The Stray Cats reformed in 1986, but didn’t stay together very long. Rocker, though, kept on rocking, as he befriended and collaborated with his hero Carl Perkins as well as with Dave Edmunds, Ringo Starr, Eric Clapton, George Harrison, Jeff Beck and Willie Nelson.

 

Rocker’s solo career took off in 1994 with the release of “Big Blue” and in 1995 with “Atomic Boogie Hour,” both on Black Top Records. Four more releases followed, and Rocker toured relentlessly, becoming one of the premiere Americana/rockabilly/roots artists in the U.S. and Europe. In 2002, Rocker toured the U.S. with ex-Elvis Presley guitarist Scotty Moore. His 2003 CD “Bulletproof” found a large and appreciative audience, as he continued to perform all around the country. That same year, The Stray Cats reunited for an 18-city tour of Europe, culminating in a filmed show at London’s Brixton Academy. The show was released on DVD as “Rumble In Brixton” in 2004.

 

With “Racin’ The Devil,” Rocker has made the best solo album of his career. From garage rockers and deeply textured roots anthems to the rockabilly sounds he helped reinvent, the album is a rich piece of Americana, as timeless and unique as the music Rocker fell in love with as a youngster. The originals bite with a powerful snap, the covers become his personal statements, and the playing is first-rate, raucous, rocking and fun. Rocker spent over a year making this record, more time than he’s ever devoted to any other album, and he couldn’t be prouder. “I like to do something different on each album I do,” he says, “and this is by far the most diverse CD I’ve ever done.” A full tour calendar will bring Rocker’s high-energy live shows to fans across the country. From roots rock to rockabilly to swinging blues, “Racin’ The Devil” is a sure bet to win. 

 

 

 

 

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SHEMEKIA COPELAND TO APPEAR ON “WORLD CAFÉ” AND “MOUNTAIN STAGE”
11/8/2005
Singing sensation Shemekia Copeland will appear on the nationally syndicated radio shows “World Café” and “Mountain Stage.

SHEMEKIA COPELAND TO APPEAR ON “WORLD CAFÉ” AND “MOUNTAIN STAGE”

Singing sensation Shemekia Copeland will appear on the nationally syndicated radio shows “World Café” and “Mountain Stage. National Public Radio’s “World Café” airs on Thursday, November 10, and features performances and an interview segment. Public Radio International’s “Mountain Stage” will air the week of November 18, and also features a live performance and a brief interview.

 

Copeland’s latest CD, the Steve Cropper-produced THE SOUL TRUTH, has received rave reviews across the country and substantial radio play for the first single, “Who Stole My Radio?” The second single from the album, “Breaking Out,” will impact radio on December 5.

 

For specific airtimes and stations for the radio programs, go to the following web addresses:

 

World Café: http://www.npr.org/templates/story/story.php?storyId=4724307

Mountain Stage: http://www.mountainstage.org/
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Lazy Lester's "I'm A Man" Used As Theme Song For ABC TV's "Freddie"
10/18/2005
Harmonica player/vocalist Lazy Lester's version of "I'm A Man" is the theme song for ABC TV's new comedy "Freddie." The song comes from Lester's Alligator album "Harp And Soul."

Lazy Lester's "I'm A Man" Used As Theme Song For ABC TV's "Freddie"

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MAVIS STAPLES PERFORMS ON THE PBS TELEVISION PROGRAM SOUNDSTAGE!
10/6/2005
Soul/gospel legend Mavis Staples appears on the PBS concert program,"Soundstage," along with Joss Stone on Thursday, October 6, 2005.

Shemekia Copeland Appears on NPR's All Things Considered on Oct. 2, 2005
10/3/2005
Shemekia Copeland appeared on Sunday, October 2, on National Public Radio’s “All Things Considered.”

MARCIA BALL APPEARS ON THE LATE SHOW WITH DAVID LETTERMAN!
9/15/2005
Celebrated pianist/vocalist/songwriter Marcia Ball joins fellow Louisianans The Neville Brothers and The Meters on September 16, 2005 on “The Late Show With David Letterman.” They will perform the New Orleans classic “Fiyo On The Bayou.”

MARCIA BALL APPEARS ON THE LATE SHOW WITH DAVID LETTERMAN!

MARCIA BALL APPEARS ON THE LATE SHOW WITH DAVID LETTERMAN!

Celebrated pianist/vocalist/songwriter Marcia Ball joins fellow Louisianans The Neville Brothers and The Meters on September 15, 2005 on The Late Show With David Letterman. They will perform the New Orleans classic Fiyo On The Bayou. The appearance promotes the September 20 benefit concert for the victims of Hurricane Katrina at Madison Square Garden in New York, "From The Big Apple To The Big Easy."

 

Ball’s new CD, LIVE! DOWN THE ROAD (Alligator AL 49043), is currently holding the #8 position on the Billboard Blues Chart. The New York Press says “Ball is an astounding triple threat: an incisive writer who plays the meanest barrelhouse piano this side of Professor Longhair, then completes the package with a sweet and potent voice.”
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THE SOUL TRUTH Reviewed in The New York Times
8/22/2005
Jon Pareles reviews The Soul Truth in the August 22, 2005 edition of The New York Times.

THE SOUL TRUTH Reviewed in The New York Times

THE SOUL TRUTH Reviewed in The New York Times

THE NEW YORK TIMES

August 22, 2005

 

The Soul Truth
Shemekia Copeland

Shemekia Copeland has no patience with the wrong kind of men on "The Soul Truth" (Alligator). She doesn't just leave them; she tells them exactly why she's going, what they did wrong and how much better she's going to feel when she's back on her own. Ms. Copeland is the 26-year-old daughter of the bluesman Johnny Clyde Copeland, who grew up in Texas and moved to New York City, and she was born to belt. She has a big, bright voice with a switchblade rasp, and on "The Soul Truth" she finds the ideal settings for it.

Ms. Copeland has sung plenty of blues on previous albums, but "The Soul Truth" is unabashed 1960's soul. The album is produced by Steve Cropper, the guitarist and songwriter from the great Stax Records studio band in the 1960's. He collaborated on some of the songwriting, and his guitar is at the center of arrangements with a lean backbeat, rollicking piano (by Chuck Leavell from the Allman Brothers Band and the Rolling Stones) and an ever-alert horn section. Unlike many soul-revival productions, the album supplies her with songs worthy of the treatment.

The melodies are chiseled and the lyrics are tough and funny: "Breakin' Out" compares divorce to a jailbreak, while in "All About You," which Ms. Copeland helped write, she realizes that "We're all through, because I could never love you as much as you do." Even when she's complaining about the state of the airwaves in "Who Stole My Radio?" - "I want passion, I want feeling/ I want to be rocked from the floor to the ceiling" - her terms are amorous and uncompromising. JON PARELES

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SHEMEKIA COPELAND’S “WHO STOLE MY RADIO” #2 MOST ADDED SONG AT AAA RADIO
8/10/2005
“Who Stole My Radio?,” the lead single from singing sensation Shemekia Copeland’s THE SOUL TRUTH (produced by Steve Cropper), was the #2 Most Added song on the AAA radio format for the week of August 8, 2005.

SHEMEKIA COPELAND’S “WHO STOLE MY RADIO” #2 MOST ADDED SONG AT AAA RADIO

SHEMEKIA COPELAND’S “WHO STOLE MY RADIO” #2 MOST ADDED SONG AT AAA RADIO

“Who Stole My Radio?,” the lead single from singing sensation Shemekia Copeland’s THE SOUL TRUTH (produced by Steve Cropper), was the #2 Most Added song on the AAA radio format for the week of August 8, 2005. This is an exciting development for the CD, which will be released on August 16, 2005. Upcoming press for the CD includes features, reviews, and/or mentions in “Billboard,” “The Wall Street Journal,” “Paste,” “Harp,” “Vanity Fair,” “OffBeat,” “Relix,” “Entertainment Weekly,” “Jazziz,” “For Me” and many other publications around the country. In addition, the 53rd Annaul “DownBeat” Critics Poll named Shemekia their “Rising Star Blues Artist.”

 

Also out on August 16 is FLASH FORWARD from Chicago’s beloved Siegel-Schwall Band. Corky Siegel, Jim Schwall, Rollo Radford and legendary drummer Sam Lay recorded their first studio album in 30 years, featuring their signature brand of fun-loving blues. “Ice” magazine, “Blueswax,” “Billboard” and many other publications will help celebrate the release of this remarkable recording.

 

 

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DETROIT JUNIOR OCTOBER 26, 1931 – AUGUST 9, 2005
8/9/2005
Legendary and beloved blues pianist, vocalist and songwriter Emery “Detroit Junior” Williams, Jr., died at his Chicago home on August 9, 2005 of heart failure. He was 73. Over the course of his 50-plus year career, Detroit Junior led his own bands and appeared as a solo performer, in addition to playing in bands with Howlin’ Wolf and Eddie Shaw. He wrote hundreds of songs, had numerous local successful 45s, as well as writing hits recorded by Albert King and Koko Taylor.

DETROIT JUNIOR OCTOBER 26, 1931 – AUGUST 9, 2005

Legendary and beloved blues pianist, vocalist and songwriter Emery “Detroit Junior” Williams, Jr., died at his Chicago home on August 9, 2005 of heart failure. He was 73. Over the course of his 50-plus year career, Detroit Junior led his own bands and appeared as a solo performer, in addition to playing in bands with Howlin’ Wolf and Eddie Shaw. He wrote hundreds of songs, had numerous local successful 45s, as well as writing hits recorded by Albert King and Koko Taylor.

 

He was a wildly entertaining performer in his own right as well, gigging constantly and recording on scores of other artists’ albums as well as four full albums under his own name. Two of his songs have become blues standards: “Call My Job,” which was a hit for Albert King, and the perennial favorite, “Money Tree.” Koko Taylor has recorded three of his tunes: “Tired Of That,” “Thanks, But No Thanks,” and “Never Trust A Man.”  His rambunctious personality, raspy voice and untamed stage antics (including playing the piano standing up, on his knees and from underneath the piano) earned him many fans and friends around the world.

 

Emery Williams, Jr. was already an experienced entertainer and piano player when he came to Chicago in 1956 from Detroit.  He was originally from Haynes, Arkansas where he was born on October 26, 1931, and spent his childhood in southern Illinois. He had led his own band, the Blues Chaps, since he was 19, playing clubs in Pontiac and Flint, Michigan. For three years they were the house band at The Circle Club in Detroit, backing touring stars like Roscoe Gordon, Eddie Boyd, John Lee Hooker and Amos Milburn. Milburn was Junior’s idol, and his humorous blues about the evils of alcohol inspired some of Junior’s best songwriting.

Blues musician Eddie Boyd first brought Junior to Chicago in the early 1950s, hoping to line up a contract for him with Chess Records. The Chess deal didn’t work out at first, but Junior fell in with J.T Brown, the city’s leading blues sax man. They landed a gig at Club 99, then at the legendary Squeeze Club. Junior quickly won a following with his percussive piano and energetic stage show. He paired up with harp man Little Mack Simmons, and they settled into a steady gig as house band at Cadillac Baby’s South Side club. He recorded his first single, “Money Tree” backed with “So Unhappy” in 1960 for the Bea & Baby label. That record marked the first appearance of “Detroit Junior;” before that time he had been known as Little Junior Williams, and when the record became a local hit, the nickname stuck.

Chess Records, sensing they had missed something, signed Junior, but subsequent singles didn’t sell, and he cut for Foxy, CL and Palos before waxing his next hit, the original “Call My Job,” on U.S.A., in 1965. The flipside, “The Way I Feel,” a spontaneous and sensitive piano solo, proved that Junior had talent for deep blues as well as novelty tunes.


During the ‘60s, Junior gigged with Mack Simmons, Eddie Taylor, Sam Lay and Johnny Twist. From 1968 on, he toured and recorded with the late Howlin’ Wolf, playing everywhere from college auditoriums to Big Duke’s Flamingo. When Wolf died in 1976, Junior stuck with the band, The Wolf Gang, under the leadership of sax man Eddie Shaw for a number of years.

 

Detroit Junior’s first full album under his own name, “Chicago Urban Blues” (on the Blues On Blues label) came out in the early 1970s. Alligator Records included four of his songs on the “Living Chicago Blues, Volume 6” anthology in 1980. The album helped establish him as a successful solo performing career. From 1995 through 2004, Detroit Junior released four CDs under his own name, three for Blue Suit Records: “Turn Up The Heat” (1995), “Take Out The Time” (1997), and “Live At The Toledo Museum Of Modern Art” (2004). His most recent CD was 2004’s “Blues On The Internet” on Delmark.

In the last few years, Junior often appeared on the Chicago’s North Side at clubs like Kingston Mines, even after losing a leg to diabetes. He was filmed for Martin Scosese’s PBS series, “The Blues,” and kept on writing and performing up until his death.


 

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