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Master Texas blues guitarist Smokin' Joe Kubek died from a heart attack on Sunday, October 11, 2015. He was 58. Kubek, who performed for nearly three decades with his longtime musical partner Bnois King, died shortly before he was to appear on stage at the Pleasure Island Seafood & Blues Festival in North Carolina. Billboard says, "Kubek is one of the fiercest Texas blues guitarists [who] plays blues-rock aimed at the gut level." Living Blues describes his music as "heavy, powerful and tough roadhouse blues, punchy Texas shuffles, and mighty fine roots rock."

Joe Kubek was born in Pennsylvania on November 30, 1956 but grew up just outside of Dallas. He was leading his own bands and gigging in clubs all around Dallas when he was only 14. He first heard blues by listening to Eric Clapton and Jeff Beck, Kubek soon discovered the music of Muddy Waters, Howlin’ Wolf and other early masters including Freddie King, Johnny Copeland and Lightnin’ Hopkins. By the time he was 19, he was backing many famous blues players in the area, including Freddie King. In 1976, Kubek was about to head out on tour with King when King died suddenly of a heart attack.

Kubek next worked with R&B singer Al “TNT” Braggs and made a host of new friends, including Albert King, Stevie Ray Vaughan (with whom Kubek became close), B.B. King and many other blues icons. He often found himself jamming with these larger-than-life blues stars, while playing constantly around the Dallas area. He not only learned tips and techniques, but also soaked up stories and lessons of being a professional touring musician. One night, he even had the chance to play B.B.’s guitar, Lucille. “B.B. admired my enthusiasm and he encouraged me, which really meant a lot. When times got hard, I always remembered how B.B. King had given me some encouragement.”

In 1989, Kubek met guitarist/vocalist Bnois King at a Monday night Dallas jam session. The two became fast friends, and melded their seemingly divergent styles -- Kubek a rocking and fierce picker and slider, King a subtle, fat-chord rhythm player whose solos are spontaneous and unpredictable -- into one of the most potent guitar combinations the Southwest had ever produced. Kubek explains the relationship succinctly: “I pull the blues out of him, and he pulls the jazz out of me. Bnois knows so much about jazz it’s amazing. Bnois fires me up. We are constantly pushing each other higher, complimenting each other’s solos. But it’s not planned. We never know what we’re going to do until it’s done.”

Kubek and King signed to Bullseye Blues and released their debut CD, Stepping Out Texas Style, in 1991. After conquering the Dallas scene, the band began touring clubs, concert halls and festivals nationally and internationally. Following a successful series of eight Bullseye releases, they signed to Blind Pig Records in 2003. As their popularity continued to build on the strength of their recordings and the energy of their live shows, the band’s touring schedule grew to over 150 dates per year all across the United States, Canada and Europe (where they have toured more than a dozen times), solidifying their place in the blues world with one jaw-dropping show after another.

Kubek and King signed with Alligator in 2008 and released Blood Brothers and followed up with Have Blues, Will Travel in 2010. They released four more albums after leaving Alligator and continued to tour non-stop. Their latest CD, Fat Man's Shine Parlor (Blind Pig), came out in February, 2015.

Kubek is survived by his wife, Phyllis.

Arrangements have not yet been announced.

NPR's Weekend Edition Saturday will air an interview and performance with singer Shemekia Copeland on October 10. Host Scott Simon talks to Copeland about her new CD, Outskirts Of Love, and her life as "a fresh, gripping roots music performer." (Wall Street Journal)

MOJO magazine says, "It is Copeland’s thrilling voice, part Koko Taylor, part Mavis Staples and capable of incredible expression, that makes Outskirts Of Love so super-special. Spectacular, stirring, sanctified and sassy…at the crossroads where funk meets blues rock. Her band, led by producer Oliver Wood, and featuring guests Billy F Gibbons, Robert Randolph, Alvin Youngblood Hart and Will Kimbrough, is faultless throughout."

Copeland’s return to Alligator Records with Outskirts Of Love (she recorded four albums for the label from 1998 through 2006) finds her at her most charismatic. She mixes freshly written material with thrilling reinventions of songs originally recorded by Solomon Burke, ZZ Top, Jesse Winchester, Sonny Terry and Brownie McGhee, Creedence Clearwater Revival, Jesse Mae Hemphill and her father, the late Johnny Clyde Copeland. The result is Copeland’s most musically adventurous album of her still-evolving career.

With a voice that is alternately sultry, assertive and roaring, Copeland’s wide-open vision of contemporary blues, Americana, roots and soul music showcases the evolution of a passionate artist with a modern musical and lyrical approach. Whether she’s belting out a raucous blues-rocker, firing up a blistering soul-shouter, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle, country-tinged ballad, Shemekia Copeland sounds like no one else.

Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She is a mainstay on countless commercial and non-commercial radio stations. She's sung with Eric Clapton, Bonnie Raitt, B.B. King, Buddy Guy, Mick Jagger, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “f*cking amazing.” Santana says, “She’s incandescent…a diamond.” In 2012, she performed at the White House for President and Mrs. Obama. Afterward, Jagger (with whom she sang) sent her a bottle of champagne.

With Outskirts Of Love and a packed tour schedule, Copeland has her eyes fixed firmly on the future as she continues to break new musical ground. "I want to keep growing, to be innovative," she says. “I’m a lifer, singing about things that are important to me, using my music to help people. My dad always said ‘we’re all connected.’ I’m an old soul marching to the beat of my own drum,” she continues, “and right now I’m making the most exciting music of my career.”

Blues Blast, the free internet blues magazine, announced the winners of the 2015 Blues Blast Music Awards at a ceremony held at The Fluid Events Center in Champaign, Illinois on Friday, September 25th, 2015. Alligator Records artists Elvin Bishop, Marcia Ball, and Selwyn Birchwood all received awards. Bishop won the Male Blues Artist Of The Year award and Contemporary Blues Album Of The Year award  (for Can't Even Do Wrong Right). Marcia Ball won Female Blues Artist Of Year. Newcomer Selwyn Birchwood, whose Alligator debut, Don't Call No Ambulance, was released in 2014, received the coveted Sean Costello Rising Star Award.

During the ceremony, legendary Chicago bluesman Eddy "The Chief" Clearwater was honored with a Lifetime Achievement Award from Blues Blast magazine. Clearwater's latest studio album, West Side Strut (Alligator) is an energized mix of West Side blues and old school rock injected with a tough, up-to-the-minute contemporary edge.

Vinyl-only Set Features Koko Taylor, Shemekia Copeland, Marcia Ball, Elvin Bishop And Many More

Alligator Records has set a November 6 street date for the vinyl-only release A Blues Christmas. The album is a new compilation featuring the best of Alligator's two previous holiday CDs, 1992's The Alligator Records Christmas Collectionand 2003's Genuine Houserockin' Christmas. All tracks on A Blues Christmashave been remastered to bring out every nuance of these classic performances.
 
A Blues Christmas is the first LP to ever be graced with the genuine holiday-rockin’ music of Koko Taylor, Charlie Musselwhite, Shemekia Copeland, Elvin Bishop, Marcia Ball, Michael “Iron Man” Burks, The Holmes Brothers, Lil' Ed & The Blues Imperials, Katie Webster, Little Charlie & The Nightcats, Roomful Of Blues and Tinsley Ellis. 

Track Listing:

Side One:

Koko Taylor - Merry, Merry Christmas

Lil' Ed & The Blues Imperials - I'm Your Santa

Shemekia Copeland - Stay A Little Longer, Santa

The Holmes Brothers - Back Door Santa

Katie Webster - Deck The Halls With Boogie Woogie

Charlie Musselwhite - Silent Night

 

Side Two:

Little Charlie & The Nightcats - Santa Claus

Michael "Iron Man" Burks - Christmas Snow

Marcia Ball - Christmas Fais Do Do

Roomful Of Blues - Santa Claus, Do You Ever Get The Blues?

Tinsley Ellis - Santa Claus Wants Some Lovin'

Elvin Bishop - The Little Drummer Boy

Legendary Chicago bluesman Eddy Clearwater will be honored with a Lifetime Achievement Award from Blues Blast online magazine. Clearwater will accept his award in person at the 9th Annual Blues Blast Music Awards Ceremonies on September 25th, 2015 at the Fluid Events Center in Champaign, Illinois.

Clearwater is an intense, flamboyant, blues-rocking showman. He’s equally comfortable playing the deepest, most heartfelt blues or rocking, good-time party music. DownBeat says, "Left-hander Eddy Clearwater is a forceful six-stringer...He lays down some gritty West Side shuffles and belly-grinding slow blues that highlight his raw chops, soulful vocals, and earthy, humorous lyrics."

Between his slashing guitar work, his room-filling vocals, and his self-defined “rock-a-blues” style (a mix of blues, rock, rockabilly, country and gospel), Clearwater is among the very finest practitioners of the West Side Chicago blues. He won the Blues Music Award for Contemporary Blues – Male Artist of the Year in 2001. His 2003 CD, Rock ‘N’ Roll City (Bullseye Blues) was nominated for a Grammy Award.

WEST SIDE STRUT, released on Alligator in 2008, is an energized mix of West Side blues and old school rock injected with a tough, up-to-the-minute contemporary edge. Featuring some of Eddy’s hottest playing ever recorded, the CD burns with his stinging guitar and rough-and-ready vocals. Guests include Eddy’s old friends Lonnie Brooks, Jimmy Johnson, Billy Branch and Otis Clay as well as Ronnie Baker Brooks (who also produced) playing some scintillating guitar parts.

Born Edward Harrington on January 10, 1935 in Macon, MS, Eddy and his family moved to Birmingham, AL in 1948. With music from blues to gospel to country and western surrounding him from an early age, Eddy taught himself to play guitar (left-handed and upside down), and began performing with various gospel groups, including the legendary Five Blind Boys of Alabama. After moving to Chicago in 1950, Eddy stayed with an uncle and took a job as a dishwasher, saving as much as he could from his $37 a week salary. His first music jobs were with gospel groups playing in local churches. Through his uncle’s contacts, Eddy met many of Chicago’s blues stars. He fell deeper under the spell of the blues, and befriended Magic Sam, who would become one of Eddy’s closest friends and teachers.

By 1953, as Guitar Eddy, he was making a strong name for himself, working the South and West Side bars regularly. After hearing Chuck Berry in 1957, Eddy added that rock and roll element to his already searing blues style, creating a unique sound that defines him to this day. He recorded his first single, Hill Billy Blues, for his uncle’s Atomic H label in 1958 under the name Clear Waters (his manager at the time, drummer Jump Jackson, came up with the name as a play on Muddy Waters).

The name Clear Waters morphed into Eddy Clearwater, and Eddy worked the local circuit steadily throughout the 1950s, 1960s and into the 1970s. He found huge success in the 1970s among Chicago's young rock 'n' roll fans, who responded to his individual brand of blues, his rock and roll spirit and his high energy stage show.

His first full-length LP, 1980’s The Chief, was the initial release on Chicago’s Rooster Blues label. A number of records for various labels has kept him in-demand around the globe. His slicing guitar licks and "rock-a-blues" music -- along with his uninhibited live show -- give fans a dose of the real West Side Chicago blues played by a legendary blues master.

Alligator Records has announced an October 23 street date for Method To My Madness, the fiery and soulful new blues/roots/rock CD from six-time Blues Music Award-winner  Tommy Castro and his band, The Painkillers. Upon release, the band will immediately hit the road, with tour dates stretching from Florida to New York to Washington, Chicago, Denver, Salt Lake City, San Francisco and beyond.

Over the course of his four-decade career, Castro has played thousands of shows to hundreds of thousands of fans, packing seats and dance floors, always leaving them screaming for more. Hailing from the San Francisco area, Castro, along with his band, The Painkillers (featuring bassist Randy McDonald, keyboardist Michael Emerson and drummer Bowen Brown), play music that is guaranteed to fire up fans and leave critics searching for new words of praise. Billboard says the band plays “irresistible contemporary blues-rock” with “street-level grit and soul.” Now, with Method To My Madness, the group turns the intensity up another notch.

“My main objective when making a new album,” says Castro, “is to do something different from before. I’ve always been a blues guy; it’s what I’m meant to do. But I’m always listening and reacting to what’s going on in the outside world, experimenting with my guitar tone and my songwriting approach to constantly keep my music fresh. In the end, though, my brand is on every song.” Method To My Madness finds Tommy Castro & The Painkillers at their very best. It is an instant career highlight in a lifetime full of them. The album was recorded at Laughing Tiger Studio in San Rafael, CA and produced by Castro (his first time at the helm) using no recording studio wizardry, just the unadulterated sound of the band. Castro’s songs – he wrote or co-wrote 10 of 12 tracks – are raw, raucous and rocking. From the opening one-two punch of everyman anthems Common Ground and Shine A Light to the full-tilt energy of the title track to the searing deep soul ballad Heaven, to the bayou rock of Got A Lot to the atmospheric, autobiographical Ride to the reinvented version of the Clarence Carter hit I’m Qualified to the emotional cover of B.B. King’s Bad Luck, Tommy Castro & The Painkillers continue to break new ground while simultaneously having an incredible amount of fun.

Born in San Jose, California in 1955, Tommy Castro first picked up a guitar at age 10. He fell under the spell of Eric Clapton, Elvin Bishop, Mike Bloomfield and other blues rock players. As he got older, Castro discovered the blues guitar work of Muddy Waters, B.B. King, Freddie King, Buddy Guy, Elmore James and the deep-rooted soul voices of singers like Ray Charles, Wilson Pickett and James Brown. By his 20s, he was playing in a variety of San Francisco-area blues and soul bands.

Castro joined Warner Brothers’ artists The Dynatones in the late 1980s before forming The Tommy Castro Band in 1991. He released his debut album in 1996 on Blind Pig and hit the road hard, picking up new fans everywhere he went. During the 1990s and into the 2000s, Castro recorded a series of critically acclaimed CDs for Blind Pig, Telarc and 33rd Street Records as well as one on his own Heart And Soul label.

In 2009 Castro came to Alligator Records, releasing Hard Believer to massive acclaim. He won four of his six career Blues Music Awards, including the coveted B.B. King Entertainer Of The Year Award (the very highest award a blues performer can receive). His next release, 2011’s Tommy Castro Presents The Legendary Rhythm & Blues Revue–Live!, was a fiery collection of the highlights from a series of live performances anchored by Castro and fueled by appearances by an all-star collection of nationally recognized blues musicians, including Rick Estrin, Michael “Iron Man” Burks and Joe Louis Walker.

Castro formed The Painkillers in 2012, creating a lean, mean four-piece lineup and leaving his tight horn section behind. He stripped his music down to its raw essence with the band driving their point home on the bandstand. Fueled by Tommy’s voice and guitar plus bass, drums and keyboards, the band released The Devil You Know in 2014, winning over hordes of new fans.

Now, with Method To My Madness, Tommy Castro & The Painkillers are ready to unleash their blistering new songs on music fans everywhere. “With the new album,” Castro says, “I was trying to get back to my basic ingredients: blues and soul. I went for the energy of connecting with my band. We kept everything raw, capturing the feeling of playing live. I’m not about being perfect,” he says, summing up. “I’m about being real.” Clearly that is the method to his madness.

Album Is #1 Most Added Triple A Record On FMQB Chart

NPR Music's influential First Listen will host the premiere of singer Shemekia Copeland's Outskirts Of Love, beginning Thursday, September 3 and running through the CD's September 11 release date. Initial radio response has been stellar -- the album was the #1 Most Added Triple A Record for the week of August 24 on the FMQB chart.

MOJO magazine says, "It is Copeland’s thrilling voice, part Koko Taylor, part Mavis Staples and capable of incredible expression, that makes Outskirts Of Love so super-special. Spectacular, stirring, sanctified and sassy…at the crossroads where funk meets blues rock. Her band, led by producer Oliver Wood, and featuring guests Billy F Gibbons, Robert Randolph, Alvin Youngblood Hart and Will Kimbrough, is faultless throughout."

Copeland’s return to Alligator Records with Outskirts Of Love (she recorded four albums for the label from 1998 through 2006) finds her at her most charismatic. She mixes freshly written material with thrilling reinventions of songs originally recorded by Solomon Burke, ZZ Top, Jesse Winchester, Sonny Terry and Brownie McGhee, Creedence Clearwater Revival, Jesse Mae Hemphill and her father, the late Johnny Clyde Copeland. The result is Copeland’s most musically adventurous album of her still-evolving career.

With a voice that is alternately sultry, assertive and roaring, Copeland’s wide-open vision of contemporary blues, Americana, roots and soul music showcases the evolution of a passionate artist with a modern musical and lyrical approach. Whether she’s belting out a raucous blues-rocker, firing up a blistering soul-shouter, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle, country-tinged ballad, Shemekia Copeland sounds like no one else.

Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She is a mainstay on countless commercial and non-commercial radio stations. She's sung with Eric Clapton, Bonnie Raitt, B.B. King, Buddy Guy, Mick Jagger, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “f*cking amazing.” Santana says, “She’s incandescent…a diamond.” In 2012, she performed at the White House for President and Mrs. Obama. Afterward, Jagger (with whom she sang) sent her a bottle of champagne.

With Outskirts Of Love and a packed tour schedule, Copeland has her eyes fixed firmly on the future as she continues to break new musical ground. "I want to keep growing, to be innovative," she says. “I’m a lifer, singing about things that are important to me, using my music to help people. My dad always said ‘we’re all connected.’ I’m an old soul marching to the beat of my own drum,” she continues, “and right now I’m making the most exciting music of my career.”

Living Blues magazine has announced the recipients of the 2015 Living Blues Awards. Six Alligator Records artists received a total of six awards.

In the Critics' Poll, James Cotton won Most Outstanding Musician (Harmonica), Joe Louis Walker won Most Outstanding Musician (Guitar) and Selwyn Birchwood won for Best Blues Album of 2014 (New Recording/Best Debut) for Don't Call No Ambulance.

In the Readers' Poll, Shemekia Copeland (whose new CD Outskirts Of Love will be released on September 11) received the award for Blues Artist Of The Year (Female). Marcia Ball won for Most Outstanding Musician (Keyboard) and Elvin Bishop won Best Blues Album Of 2014 (New Release) for his Grammy-nominated Can't Even Do Wrong Right.

Award-winning, trailblazing vocalist Shemekia Copeland has announced plans for her Fall 2015 North American tour in support of her new Alligator Records album, Outskirts Of Love. The genre-smashing CD is set for September 11 release. With a voice that is alternately sultry, assertive and roaring, Shemekia’s wide-open vision of contemporary blues, Americana, roots and soul music showcases the evolution of a passionate artist with a modern musical and lyrical approach. Whether she’s belting out a raucous blues-rocker, firing up a blistering soul-shouter, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle, country-tinged ballad, Shemekia Copeland sounds like no one else. The Chicago Tribune said Copeland delivers "gale force singing and power" with a "unique, gutsy style, vibrant emotional palette and intuitive grasp of the music." NPR Music calls her “fiercely expressive.”

Copeland’s return to Alligator Records with Outskirts Of Love (she recorded four albums for the label from 1998 through 2006) finds her at her most charismatic, performing roots rock, Americana, and blues with power and authority, nuance and shading. Produced by The Wood Brothers’ Oliver Wood, Outskirts Of Love is a musical tour-de-force, with Copeland rocking out on the title track, taking charge in Crossbone Beach, honoring her father, the late Johnny Clyde Copeland with her Afrobeat-infused take on his Devil’s Hand, tackling homelessness on Cardboard Box and showing off her country swagger on Drivin’ Out Of Nashville. She puts her stamp on songs made famous by Solomon Burke (I Feel A Sin Coming On), Jesse Winchester (Isn’t That So), Sonny Terry and Brownie McGhee (The Battle Is Over), Creedence Clearwater Revival (Long As I Can See The Light), ZZ Top (Jesus Just Left Chicago), Albert King (Wrapped Up In Love Again) and Jessie Mae Hemphill (Lord Help The Poor And Needy). Friends including Billy F Gibbons, Robert Randolph, Alvin Youngblood Hart, Will Kimbrough and Pete Finney all add their talent with unbridled enthusiasm. The result is Copeland’s most decidedly contemporary and musically adventurous album of her still-evolving career.

Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She is a mainstay on countless commercial and non-commercial radio stations. She's sung with Eric Clapton, Bonnie Raitt, B.B. King, Buddy Guy, Mick Jagger, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “f*cking amazing.” Santana says, “She’s incandescent…a diamond.” In 2012, she performed at the White House for President and Mrs. Obama. Afterward, Jagger (with whom she sang) sent her a bottle of champagne.

With Outskirts Of Love and a packed tour schedule, Copeland has her eyes fixed firmly on the future as she continues to break new musical ground. "I want to keep growing, to be innovative," she says. “I’m a lifer, singing about things that are important to me, using my music to help people. My dad always said ‘we’re all connected.’ I’m an old soul marching to the beat of my own drum,” she continues, “And right now I’m making the most exciting music of my career.”

Tour dates are as follows:

Aug 14, 2015    Calabogie Blues & Ribfest, Calabogie, ON, CANADA
Aug 15, 2015     Festival de Blues de Donnacona, Donnacona, QC, CANADA     
Aug 29, 2015     Paola Roots Festival, Paola, KS
Sep 11, 2015     Stone Mountain Arts Center, Brownfield, ME     
Sep 12, 2015     The Colonial Theatre , Bethlehem, NH     
Sep 13, 2015     Narrows Center for the Arts, Fall River, MA
Sep 16, 2015     The Foundry, Athens, GA     
Sep 17, 2015     Music City Roots, Live From The Factory, Franklin, TN
Sep 19, 2015     Hot Springs Blues & BBQ Festival, Hot Springs, AR     
Sep 23, 2015     Redstone Room, Davenport, IA
Sep 24, 2015     Dakota Jazz Club & Restaurant, Minneapolis, MN     
Sep 26, 2015     Old Town School of Folk Music, Chicago, IL
Sep 29, 2015     Grand Theatre, Frankfort, KY     
Oct 01, 2015     Sellersville Theater, Sellersville, PA     
Oct 02, 2015     City Winery, New York, NY     
Oct 04, 2015     Daryl's House, Pawling, NY     
Oct 06, 2015     MexiCali Live, Teaneck, NJ     
Oct 07, 2015     Rams Head On Stage , Annapolis, MD     
Oct 09, 2015     Richmond Folk Festival, Richmond, VA     
Oct 10, 2015     Richmond Folk Festival , Richmond, VA     
Oct 11, 2015     Pleasure Island Seafood Blues & Jazz Festival, Kure Beach, NC
Oct 13, 2015     Barbara B. Mann Performing Arts Hall, Fort Myers, FL (with Buddy Guy)
Oct 14, 2015     Florida Theatre, Jacksonville, FL (with Buddy Guy)
Oct 17, 2015     Maxwell C. King Center for the Performing Arts, Melbourne, FL (with Buddy Guy)

 

--USA Today

Alligator Records has set a September 11 street date for Outskirts Of Love, the genre-smashing new release from trailblazing vocalist Shemekia Copeland. With a voice that is alternately sultry, assertive and roaring, Shemekia’s wide-open vision of contemporary blues, roots and soul music showcases the evolution of a passionate artist with a modern musical and lyrical approach. Whether she’s belting out a raucous blues-rocker, firing up a blistering soul-shouter, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle, country-tinged ballad, Shemekia Copeland sounds like no one else. The Chicago Tribune said Copeland delivers "gale force singing and power" with a "unique, gutsy style, vibrant emotional palette and intuitive grasp of the music." NPR Music calls her “fiercely expressive.”

Copeland’s return to Alligator Records with Outskirts Of Love (she recorded four albums for the label from 1998 through 2006) finds her at her most charismatic, performing roots rock, Americana, and blues with power and authority, nuance and shading. Produced by The Wood Brothers’ Oliver Wood, Outskirts Of Love is a musical tour-de-force, with Copeland rocking out on the title track, taking charge in Crossbone Beach, honoring her father, the late Johnny Clyde Copeland with her Afrobeat-infused take on his Devil’s Hand, tackling homelessness on Cardboard Box and showing off her country swagger on Drivin’ Out Of Nashville. She puts her stamp on songs made famous by Solomon Burke (I Feel A Sin Coming On), Jesse Winchester (Isn’t That So), Sonny Terry and Brownie McGhee (The Battle Is Over), Creedence Clearwater Revival (Long As I Can See The Light), ZZ Top (Jesus Just Left Chicago), Albert King (Wrapped Up In Love Again) and Jessie Mae Hemphill (Lord Help The Poor And Needy). Friends including Billy F Gibbons, Robert Randolph, Alvin Youngblood Hart, Will Kimbrough and Pete Finney all add their talent with unbridled enthusiasm. The result is Copeland’s most decidedly contemporary and musically adventurous album of her still-evolving career.

When Shemekia first appeared on the scene at age 18 in 1998 with her groundbreaking debut CD, Turn The Heat Up, she instantly became a blues superstar. Critics from around the country celebrated her music as fans of all ages agreed that an unstoppable new talent had arrived. News outlets from The New York Times to CNN took note of Copeland's talent, engaging personality, and true star power. She followed up with 2000's Grammy-nominated Wicked, 2002's Talking To Strangers (produced by Dr. John) and 2005’s The Soul Truth (produced by Steve Cropper). In that short period of time, she earned eight Blues Music Awards, a host of Living Blues Awards (including the prestigious 2010 Blues Artist Of The Year) and more accolades from fans, critics and fellow musicians. Two highly successful releases on Telarc (including 2012's Grammy-nominated 33 1/3) cemented her reputation as a singer who, according to NPR's All Things Considered, "embodies the blues with her powerful vocal chops and fearless look at social issues." USA Today says, "Copeland is a singer with fervor and funk, power and range.”

Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She is a mainstay on countless commercial and non-commercial radio stations. She's sung with Eric Clapton, Bonnie Raitt, B.B. King, Buddy Guy, Mick Jagger, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “f*cking amazing.” Santana says, “She’s incandescent…a diamond.” At the 2011 Chicago Blues Festival, the City of Chicago and the State of Illinois officially declared Copeland to be “The New Queen Of The Blues.” In 2012, she performed at the White House for President and Mrs. Obama. Afterward, Jagger (with whom she sang) sent her a bottle of champagne.

With Outskirts Of Love and a packed tour schedule, Copeland has her eyes fixed firmly on the future as she continues to break new musical ground. "I want to keep growing, to be innovative," she says. “I’m a lifer, singing about things that bother me, using my music to help people. My dad always said ‘we’re all connected.’ I’m an old soul marching to the beat of my own drum,” she continues, “And right now I’m making the most exciting music of my career.”

Blues Blast, the free internet blues magazine, has announced the nominees for the 2015 Blues Blast Music Awards. Five Alligator Records artists received a total of nine nominations. Jarekus Singleton received three nominations, Elvin Bishop and Selwyn Birchwood two, and Marcia Ball and Rick Estrin And The Nightcats one each.

Voting is free and open to the public at www.bluesblastmagazine.com beginning July 15 and running through September 15. Winners will be announced at the 2015 Blues Blast Music Awards ceremony, held at The Fluid Events Center in Champaign, Illinois on Friday, September 25th, 2015.

Alligator nominees are as follows:

JAREKUS SINGLETON:

Contemporary Blues Recording - for Refuse To Lose
Rock Blues Recording - for Refuse To Lose
Sean Costello Rising Star Award

SELWYN BIRCHWOOD:

Contemporary Blues Recording - for Don't Call No Ambulance
Sean Costello Rising Star Award

ELVIN BISHOP:

Best Male Artist
Contemporary Blues Recording - for Can't Even Do Wrong Right

MARCIA BALL:

Female Blues Artist

RICK ESTRIN & THE NIGHTCATS:

Band Of The Year

 

Wendell Holmes, vocalist, guitarist, pianist and songwriter of the critically acclaimed soul/blues band The Holmes Brothers, died on Friday, June 19 at his home in Rosedale, Maryland of complications due to pulmonary hypertension. Earlier this week, Wendell addressed his fans and friends in an open letter as he moved into hospice care. He was 71.

Wendell retired from touring earlier this year when he was first diagnosed. Holmes Brothers drummer Willie "Popsy" Dixon died on January 9, 2015 of complications from cancer. Brother and bassist Sherman Holmes continues to carry on The Holmes Brothers legacy with The Sherman Holmes Project featuring Brooks Long and Eric Kennedy. 

Wendell, the man Entertainment Weekly has called "a timeless original," was born in Christchurch, Virginia on December 19, 1943. He and his older brother Sherman were raised by their schoolteacher parents, who nurtured the boys’ early interest in music. As youngsters they listened to traditional Baptist hymns, anthems and spirituals as well as blues music by Jimmy Reed, Junior Parker and B.B. King. According to Wendell, “It was a small town, and my brother and I were about the only ones who could play anything. So we played around in all the area churches on Sundays.” The night before, though, they would play blues, soul, country and rock at their cousin’s local club, Herman Wate’s Juke Joint. “When he couldn’t get any good groups to come from Norfolk or Richmond, he’d call us in,” Wendell recalls. “That’s how we honed our sound. We used to say we’d rock ‘em on Saturday and save ‘em on Sunday.”

Once Wendell finished high school he joined Sherman, who had already begun playing professionally in New York. The two brothers played in a few bands before forming The Sevilles in 1963. The group lasted only three years, but they often backed up touring artists like The Impressions, John Lee Hooker and Jerry Butler, gaining a wealth of experience. Sherman and Wendell met drummer Popsy Dixon, a fellow Virginian, at a New York gig in 1967. Dixon sat in with the brothers and sang two songs. “After that second song,” recalls Wendell, “Popsy was a brother.” They continued to play in a variety of Top 40 bar bands until 1979, when the three officially joined forces and formed The Holmes Brothers band.

The band toured the world, releasing 12 albums starting with 1990's In The Spirit on Rounder. Their most recent release is 2014's Brotherhood on Alligator. The New York Times calls The Holmes Brothers "deeply soulful, uplifting and timeless."
 
In September 2014, The Holmes Brothers were honored with a National Endowment For The Arts National Heritage Fellowship, the highest honor the United States bestows upon its folk and traditional artists. They won two Blues Music Awards including Blues Band Of The Year in 2005. The Holmes Brothers are featured on the cover of the current issue of Living Blues magazine.

Wendell is survived by his wife, Barbara, daughters Felicia and Mia, brothers Sherman and Milton, and three grandsons.

Memorial service arrangements have not yet been announced.

 

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