Siegel-Schwall Band

"Leave it to these innovators to come up with a fresh, exciting new Chicago blues sound." - Jeff Johnson, Chicago Sun Times (Aug 2005)

"Few groups in the world can match The Siegel-Schwall Band for the sheer joy of their music" -Chicago Sun-Times

It's been over 40 years since harmonicist/pianist/vocalist Corky Siegel and guitarist/vocalist Jim Schwall met as college students and formed The Siegel-Schwall Band, one of Chicago's most beloved blues groups. From the mid-1960s through the mid-1970s, The Siegel-Schwall Band recorded ten critically acclaimed albums, toured relentlessly, and shared stages with artists such as The Allman Brothers, Janis Joplin, and Jefferson Airplane. Their subtle, acoustic-flavored blues, original songs and inventive interpretations of classics by Jimmy Reed, Willie Dixon and other blues greats were their calling card, fusing urban blues and folk into their own unique sound. In addition to their recordings, the band was renowned for their high energy, good-time live shows. They played to adoring audiences all over the U.S., which prompted Billboard magazine in 1966 to call The Siegel-Schwall Band "the latest addition to the list of great South Side performers that has included Muddy Waters, Howlin' Wolf and Chuck Berry." In 1968, they defied boundaries by combining blues and classical music with their unprecedented performance of Three Pieces For Blues Band And Symphony Orchestra with the Chicago Symphony Orchestra, and established themselves as one of the most adventurous bands around. The Siegel-Schwall Band went on hiatus in 1974, and while band members pursued other interests and solo projects, they never stopped playing music.

Fast forward to 1987, when the group reunited and released the joyous THE SIEGEL-SCHWALL REUNION CONCERT on Alligator Records, with fans and critics alike heralding their return. The Chicago Tribune proclaimed, "The news that Siegel-Schwall is back together is something to celebrate." And so is FLASH FORWARD, The Siegel-Schwall Band's new CD, and their first full album of new material in 30 years. FLASH FORWARD picks up right where they left off, featuring their signature brand of fun-loving blues. Their "extended vacation" from recording (as founding member Corky Siegel calls it) has brought a new sense of inspiration to their music.

In addition to founders Siegel and Schwall, the band includes longtime bassist Rollo Radford, who has performed and/or recorded with music legends such as Dinah Washington, Chuck Berry, Muddy Waters and Sun Ra, and legendary blues drummer Sam Lay, whose lengthy resume includes stints with Little Walter, Muddy Waters, Willie Dixon, Howlin' Wolf, B.B. King, and Ray Charles. Sam was also a member of the original Paul Butterfield Blues Band, and backed Bob Dylan during his first electric performance at the Newport Folk Festival in 1965. He also played on Dylan's Highway 61 Revisited album.

FLASH FORWARD rekindles The Siegel-Schwall Band magic as Corky, Jim, Rollo and Sam share the spotlight on 13 new songs. From Sam's straight-ahead blues shuffle Afraid of Love to the politically charged humor of Jim's Underqualified Blues to Corky's playful blues tango Twisted, and the edgy lament of Rollo's Krazy, FLASH FORWARD is an infectious, joyful listen from beginning to end.

Corky Siegel and Jim Schwall met in Chicago in 1964 while both were in the Roosevelt University Jazz Band. The pair soon discovered their mutual love for the blues and eventually began performing as a duo, with Corky on harmonica and piano and Jim on guitar. They auditioned at Chicago's famed Pepper's Lounge on the South Side, and were hired to play every Thursday night. "I was playing the bass drum and high hat with my feet under my Wurlitzer electric piano; sometimes I picked up the harmonica with my right hand; Jim played along on guitar," Corky recalls. "The audience went wild, probably because we were so different." This lead to a long-term musical residency at the club, and the pair played with several blues luminaries (who also became personal friends) including Muddy Waters, Howlin' Wolf, Little Walter, Otis Spann, Willie Dixon, Junior Wells and James Cotton. "We really got an education at Pepper's," Corky says.

After their tenure at Pepper's, Siegel-Schwall, along with groups like The Paul Butterfield Blues Band (with Elvin Bishop) and an early version of the Steve Miller Band, played at Big John's and Mother Blue's on Chicago's North Side, introducing the blues to a white audience. In 1965, Vanguard Records came calling and signed the band to a deal, releasing The Siegel-Schwall Blues Band in 1966. That same year, Chicago Symphony Orchestra conductor Seiji Ozawa, who frequented Siegel-Schwall's gigs, approached the band. "Ozawa wanted my band to jam with his band, the Chicago Symphony Orchestra," Corky relates. Sure enough, the first jam took place in 1968, when Siegel-Schwall and the Chicago Symphony played William Russo's Three Pieces For Blues Band And Symphony Orchestra, and it was a smash success. (The Deutsche Grammaphon label recorded Three Pieces For Blues Band And Symphony Orchestra in 1971 with the San Francisco Symphony under conductor Seiji Ozawa. The album was released in 1973 and quickly became a major seller, selling almost 300,000 copies.)

Between 1967 and 1974, the group performed at the Fillmore West in San Francisco and scores of clubs and blues festivals, and played an important part in the era's blues revival movement while gaining new fans along the way. The band parted ways with Vanguard and signed to RCA-Wooden Nickel in 1971, releasing five albums on the label before splitting up in 1974.

The members pursued individual interests, with Schwall earning a PhD in music while Siegel followed his passion for classical music. He recorded William Russo's Street Music with Seiji Ozawa and the San Francisco Symphony Orchestra in 1976. The album won the French government's Grand Prix du Disque award and received a Recording of Special Merit citation in Stereo Review. He has written and performed works for many symphonies including the San Francisco Symphony and the National Symphony Orchestra. His music has been choreographed by four different international ballet companies and has been used for many national TV specials and documentaries including Carl Sagan's Cosmos, the ABC television series Missing Persons, and even the 1988 Olympic Men's Figure Skating competition.

The Siegel-Schwall Band came together again in 1987 after being asked to perform at the 15th anniversary show for influential Chicago radio station WXRT-FM, a longtime supporter of the group. The radio station taped the show, resulting in the 1988 Alligator release, THE SIEGEL-SCHWALL REUNION CONCERT. The album received rave reviews, and Billboard magazine called it "a stellar live outing." Based on the success of the show and the album (not to mention the pure enjoyment of playing together), The Siegel-Schwall Band decided to join forces once again. During this time, Corky Siegel continued performing and working on his Chamber Blues project, releasing two CDs on Alligator: 1994's CORKY SIEGEL'S CHAMBER BLUES and 2005's CORKY SIEGEL'S TRAVELING CHAMBER BLUES SHOW! Since the 1987 reunion, Siegel-Schwall has continued to play a number of live dates, including a triumphant appearance at the 2004 San Francisco Blues Festival.

With the release of their new CD FLASH FORWARD, The Siegel-Schwall Band leaves no doubt that their "extended vacation" is over, and they are ready to add another chapter to their impressive musical story. It's the welcome return to recording of a beloved blues band that continues to inspire music fans everywhere.